Wraptious Cushion Design Competition #3

I couldn't resist entering the Wraptious Cushion Competition again, this time with FIVE unique designs that also form a lovely 'GEOMETRIC' collection.

I've featured some animal 'friends' you might recognise from my design work in other guises - the Lion, the Leopard, the Polar Bear, the Penguin, and newbie, the Butterfly - all in my signature black and white sketchy-style, on geometric backgrounds.

The arctic, the jungle, the flower garden...

Meet my animal totems and their signature strengths:

The POLAR BEAR: fierce and strong yet playful too, he represents endurance, gratitude and perseverance. This guy is very friendly too - just look at that face!

The BUTTERFLY: symbolic of change, joy, hope and colour, the butterfly offers up the miracle of transformation, endurance and hope.

The PENGUIN: symbolises community and togetherness, social connection, depth of feeling, elegance and grace. I love this dapper chap!

The LEOPARD: representing power, strength and rebirth, this leopard is giving a big ROAR for confidence and courage in the face of adversity.

The LION: embodies strength, assertiveness, protection of hearth and home, co-operation and independence. 

Which animal is your favourite?

If you'd like to vote for me, then please 'LIKE' or 'SHARE' (or both!) on the Wraptious Facebook page post. (Third time lucky?)

These designs are also available to *BUY* for a limited period, which also counts as a super-big vote.

Available in THREE sizes, they're digitally printed on vegan suede with a choice of backing colours and a concealed zip. FREE UK shipping, with or without the cushion insert.

Thank you!

Pattern-Bombed Glasgow

Pattern-bombing Glasgow has been a lot of fun. After the excitement and flurry of positive feedback from the debut of my Paisley pattern-bombed prints at the start of July, I've since turned my attentions to the city in which I spent the latter half of my teens and whose gritty experiences, rich creative scene and 'mean streets' have made me the person I am today.

I give you 'pattern-bombed Glasgow' in all its eclectic glory:

Glasgow Pattern-Bombed Print, Rebecca Johnstone/Dainty Dora

Marrying my moody, black and white images with the colourful repeating patterns of my imagination, I have created my own version of the infamous Glasgow Crest/Coat of Arms, featuring:

The Tree that never grew

The Bird that never flew

The Fish that never swam

The Bell that never rang

I've chosen my primary colours (plus green) from one of the original crest images, and am proud of the bold, crisp lines that keep it sharp and fuss-free - like the city itself.

I love seeing all of the images together like this; the different coloured backgrounds and the simple black and white version, but my favourite has to be the multi-coloured version on the white background.

I started with the single motif, but then turned it into a technical repeating pattern:

Glasgow Crest/Coat of Arms repeating pattern, Rebecca Johnstone/Dainty Dora

Along with other patterns such as my 'Purple Reign' (below), I then made striking new images of familiar and much-loved scenes - do you recognise the featured places?

Glasgow Pattern-Bombed Print, Rebecca Johnstone/Dainty Dora
Glasgow Pattern-Bombed Print, Rebecca Johnstone/Dainty Dora

And there's plenty more. I'm stock-piling photographs of my city every chance I get, my camera always by my side.

The West End, the East End, the City Centre, Merchant City, Trongate, Charing Cross, the Clyde, the Kelvin. Famous buildings and derelict spaces and not so famous places and hidden corners and secret streets, all with their tale to tell. All of Glasgow's secrets to share, eventually.

I've got thistle patterns and lions and stitches and texture to pursue for the more 'tactile', mixed media vibe. How could I not with my background in textiles and fashion?

And fashion. I've not even started on that yet.

It's exciting to discover my artistic potential in this way and the endless source of inspiration that surrounds me.

Over the coming months: watch this space!

PaisleyMake Maker's Market

Today I'm proud and honoured to be exhibiting at the PaisleyMake Maker's Market in Paisley Abbey, showcasing my collection of Paisley-inspired surface pattern designs on fabric and in print.

PaisleyMake Maker's Market - Pattern Bomb Paisley Abbey

Organised by Scotland Re:Designed (SRD), the Maker's Market is part of the Sma' Shot Day festival celebrations which includes a host of other events across the town.

As a local girl with Paisley on my doorstep, it was an opportunity not to be missed!

I posted last year about my adventures 'behind the scenes at the museum', where I was able to view archival looms, fabric and weave designs at Paisley Museum and how much I wanted to design my own surface pattern concepts inspired by what I had seen.

My current collection is only the tip of the iceberg in terms of the ideas and material I have to work with, but so far I've used familiar and iconic Paisley motifs such as the floral teardrop, the Old Coat's Mill Tower and illustrative versions of the lions that were on show at key locations across the town last summer: the 'Pride of Paisley'.

PaisleyMake Maker's Market - 'Pattern Bomb' Old Coat's Mill Tower
PaisleyMake Maker's Market - Black & White Lion Print

For some of the palettes I've used colours from the designs I was able to view in the archive, which feels like another nice tie with Paisley's past and heritage.

There's plenty more work to be done, but for today, pop on down to Paisley-town and join in the celebrations. And, if you were as curious as I was...

The Sma’ (or small) Shot was a cotton thread which bound all the colourful weft threads into the warps of the world-famous Paisley Pattern shawls.

I love this! And you can say what you like about Paisley, but it's always been a colourful place stuffed with culture and commerce. Today it's going to be even more so.

The sun is shining too, but just in case, I designed a pattern called 'Paisley Umbrellas' using hand-inked motifs:

PaisleyMake Maker's Market - 'Pattern Bomb' Paisley Abbey

The PaisleyMake Marker's Market and exhibition runs from 1pm-5pm, today.

'SAMPLE' at the Lighthouse

SAMPLE exhibition, The Lighthouse, Glasgow

SAMPLE was a must-see for me as a fledgling surface pattern designer with a background in textile design - and right on my doorstep too.

The premise of the exhibition was to showcase specially commissioned designs from members of COLLECT SCOTLAND, a platform for Scottish printed textile design, shining a light on this 'hidden discipline'.

(It's considered 'hidden' because it's an industry where designers are not always given credit for their work - a sad fact across many creative disciplines.)

SAMPLE exhibition, The Lighthouse, Glasgow

Huge panels of fabric hung from the ceiling with bold and dramatic prints.

SAMPLE exhibition, The Lighthouse, Glasgow

I loved the Matisse-esque cut-out vibe of this piece:

SAMPLE exhibition, The Lighthouse, Glasgow

And the rough, textured markings of this in a very satisfying monochrome:

SAMPLE exhibition, The Lighthouse, Glasgow

While these mountains - of fire and ice - really drew me in:

SAMPLE exhibition, The Lighthouse, Glasgow

There was a real diversity of work, inspired by 5 key trends identified by COLLECT:

Chiaroscuro, Earthly Paradise, Cut and Paste, Emotional Landscape and Remembered Dreams.

They all sound so inspiring I want to use them myself to spark some ideas. I especially love 'Chiaroscuro' and 'Remembered Dreams' as prompts.

My dreams are very vivid, I always dream in colour and sometimes I even dream in pattern...

SAMPLE exhibition, The Lighthouse, Glasgow

I was drawn too to the colours and the energy in the swan design below; colours I wouldn't normally choose to work with myself. I wonder which theme it was inspired by?

SAMPLE exhibition, The Lighthouse, Glasgow

Meanwhile the organic feel of the black and white 'sample' below has so much timeless energy, reminiscent of rocks and crystals and the inner workings of the world.

Like mountains or worms or a particular type of cloud or striations in the sand when the tide goes out...

SAMPLE exhibition, The Lighthouse, Glasgow

Another really great aspect of the exhibition was to go 'behind the scenes' and see the moodboards and vision that each designer had when first thinking about their collections.

Immersing in other people's process and inspirations is one of my favourite things to do (and I quite fancy getting some of those lovely wooden stands too!)

SAMPLE exhibition, The Lighthouse, Glasgow
SAMPLE exhibition, The Lighthouse, Glasgow
SAMPLE exhibition, The Lighthouse, Glasgow

There were initial sketches and drawings to view, which I also found fascinating and an aspect you don't normally get to see.

Rather you see the final iteration with no comprehension of how many versions there might have been, or how much work was initiated but never reached the final print.

SAMPLE exhibition, The Lighthouse, Glasgow
SAMPLE exhibition, The Lighthouse, Glasgow

Finally, there were places to sit and books to delve and artefacts to ponder and engage with. A nice touch and it made me feel like I was viewing each designer's work in their 'SAMPLE studio'.

SAMPLE exhibition, The Lighthouse, Glasgow
SAMPLE exhibition, The Lighthouse, Glasgow
SAMPLE exhibition, The Lighthouse, Glasgow

The showcase included a retrospective of work previously exhibited at Premiere Vision, Paris; an aspiration of my own for the future.

If you live locally, then SAMPLE is on until 18th June at The Lighthouse, Glasgow. I recommend it.

I didn't manage to capture the designer's names behind each individual design, but all members of COLLECT are profiled on their website.

Wraptious Cushion Design Competition

Presenting three of my surface pattern designs currently available as *limited edition* cushions for sale in the Wraptious Cushion Design Competition (running until Sunday). The designs are printed on Vegan Suede with a choice of colour for the backing, hidden zip and offered either 'cover only' or with a choice of insert.

Every Facebook like = 1 point in the competition, while a purchase is worth 50 points. View and purchase via Wraptious.

'Fierce Leopard' Pattern Design in the Wraptious Cushion Competition

'Squirrel's Wardrobe' Pattern Design in the Wraptious Cushion Competition

See the original drawings behind this 'Squirrel's Wardrobe' acorn design.

'Oh So Autumn Leaves' Pattern Design in the Wraptious Cushion Competition

Do you have a favourite?

Although they don't necessarily work as a collection, I wanted to showcase the designs I'm most proud of and that I thought would work best on cushions, giving them each a chance to capture people's hearts and imagination.

Seeing my designs professionally 'mocked-up' and for sale is an exciting opportunity for exposure and it transforms a digital file into something tangible and real that I can imagine in someones home (including my own). Isn't that every designer's dream?

You can view more of my designs available as art prints/cards, framed prints, metal prints, mugs, laptop/phone cases, and more on Society6 - I bought a shower curtain in my 'Big Love' design and it's lush!

'BIG LOVE' shower curtain, Society6

Wraptious offers free UK delivery on all orders.

Cushions available until Sunday 13th November 2016 - now extended until Christmas!

Acorns, acorns, everywhere

In responding to a themed call-out last week via Pattern Camp for pattern designs featuring or inspired by 'ACORNS', I've become a little obsessed with them the last few days, like a squirrel scavenging, well...acorns.

ACORN, noun: the fruit of the oak, a smooth oval nut in a rough cup-like base

My first step was to create my motifs, and I chose to use ink for the first time. (If there is anything I've learnt about creativity, it's that experimentation is A GOOD THING.)

I was really pleased with the results of the ink, which allowed a level of precision and intricacy which I hadn't anticipated.

'ACORNS' surface pattern design motif in ink

I enjoyed layering up the colour, starting with a pale grey wash, building up the intensity and adding in finer details with the tip of my brush.

Turns out I love ink!

Next, I used watercolour pencils to draw some similar acorns but this time in colour.

As a final touch, I outlined them in gold pen.

Golden acorns are the best kind aren't they?

'ACORNS' surface pattern design motif in watercolour

Both sets of acorn motifs made pretty patterns and I'm pleased with the results. But I want to make more.

One comment I loved on this black and white version was how 'sophisticated' it made something as simple as acorns look - and I agree, so I'm stealing that (squirreling it?) and calling this pattern 'SOPHISTICATED ACORNS':

' SOPHISTICATED ACORNS' surface pattern design, simple repeat

I also liked these alternate versions: the autumnal colours of SAGE and BRIGHT RED for different backgrounds, the faded look, the shiny MAHOGANY BROWN. It's just a shame the colour bled through the non-enclosed spaces that were white #backtothedrawingboard

These are simple repeats using a 'scatter' technique, which is fine, but...

For the coloured acorns, I thought I'd get a bit fancy and try a half-drop repeat.

A bit more technical, I always get confused half-way through, but you can do so much more with a half-drop, and dare I say it, make even more sophisticated acorns:

'ACORNS' surface pattern design, half-drop repeat

It was OK plain, but then I added this orange background - which I'm calling 'burnt sienna' (great colour, amazing connotations).

I toned down the acorns and feel this combination really makes them 'pop'. It feels the most autumnal, too.

'ACORNS' surface pattern design (burnt sienna), half-drop repeat

I love the way this pattern has a 'rope' effect, like banisters on the stairs.

I can see this working for thanksgiving or Christmas, but especially - and this is particularly sophisticated - in a squirrel's pantry!

What do you think?

'ACORNS' surface pattern design (burnt sienna), half-drop repeat

I could have made the background a bit more detailed, rather than so plain, but that's for another day; I'm not that fancy yet.

I'll leave you with these lyrics from this song, which has a really lovely message

"Be like the squirrel girl, be like the squirrel", Little Acorns, The White Stripes

How to stand out in surface pattern design

How can you stand out in surface pattern design?

It's a big question, and one I've been pondering daily since my lovely friend Romana of The Creatory alerted me to this competition in UPPERCASE Magazine.

I've been talking a lot about patterns recently and how I've been sucked into the vortex of designing: it's addictive and incredible and it doesn't just start and end with one pattern.

It encompasses defining a palette, sourcing motifs, working to a theme or a trend or a brief or a style...

And that's the crux of it. I feel too 'fledgling' to have a recognisable style.

This video featuring UPPERCASE Editor and Designer Janine Vangool, explains some key pointers as well as naming some of the different style footprints a designer might work to:

Big & bold, floral & chintzy, graphic, geometric, linear, minimalist, illustrative, cutesy, block colours, not scared of black...

Yet there are elements I love in all of these styles. I'm multi-passionate - what can I say? Here's my 6 top-take-outs from the video:

How to stand out in Surface Pattern Design

I'm quite bold in my personal style and that filters through to the way I dress, the colours I'm drawn to and my choice of internal decor.

But I love minimalist geometric work too. And illustrative design. And I'm not scared of black: on me, on my walls, in pattern.

Black & White Leaf Repeating Pattern, Rebecca JohnstoneIn my mind I want to do something different; marry incongruous elements that juxtapose each other to stand out against the ditsy florals and the abstract colour blocks.

I want to draw on dark forces like folklore and The Brothers' Grimm fairy tales to weave a story through my patterns and project my 'inner world' into the 'outside world'. It's a lot to consider.

UPPERCASE magazine markets itself as for 'the creative and the curious', and that's definitely me. And it got me wondering:

Are creative people everywhere asking the same questions of themselves, over and over, trying to find their niche, their style, their oeuvre? Are they keeping themselves awake at night with their creative curiosity, just like me? I think the answer is 'yes'.

There's a lot of work to be done, and this new focus for my creativity has given me a lot to think about in discovering my design footprint and in doing so, discovering and revealing another layer of myself.

For now, I've been focusing on a perennial (yet seasonal) favourite: autumn leaves. I can't believe the year has spun us round to September already, but as the leaves begin to fall, I'll be documenting them through my patterns.

Sign up for monthly inspiration from Dainty Dora's Inspiration Emporium. Check out the debut mail-out here.

Designing the French Riviera S/S 2017

For the last week I've been obsessively designing patterns for the Make it in Design 'Beginner' Summer School. It's been so much fun! The brief was for simple, stylised designs for multiple applications across fashion and home.

The colour palette was provided as Pantone colour samples and I used these by colour matching them in Photoshop/Illustrator using the eyedropper tool (I haven't worked out how to load Pantone palettes yet).

My first thoughts were of palm trees, ship's wheels, sunsets and prawns. A heady mix for the French Riviera jetset!?

Palm Tree Line Drawing

I'd forgotten how tricksy Illustrator is. Why can't you move between artboards and still have the colour selected? #firstworldissues

I managed to learn a few new Illustrator skills in the process. Like adding gradients (a key element in the design brief), and isolating different elements of an image-traced live-paint group to change colours.

After playing about with the below design for a while, I couldn't decide which version I liked best - thoughts?

Then I had to remind myself: gradients don't repeat, but they still look nice for a single placement.

I can see this design on a beach towel, face cloth, napkins, plates (especially picnic plates!), t-shirts, a beach bag. Loads of possibilities.

The limited palette really helped me to focus on the designs, and re-use colours where I would normally have gone for more of an obvious impact. I think it's proven to me how much cohesion it creates too. That's particularly true with the pink ship's wheel design below. I created it in another colour way (not shown here), and had fun playing with scale.

Here's a few of my other favourite designs for this brief:

French Riviera SS17 'Graph Prawn' surface pattern design
French Riviera SS17 'Leaping Prawn - with Gradient' surface pattern design
French Riviera SS17 'Pink Ship's Wheel' surface pattern design
Print
French Riviera SS17 'Leaping Prawn' surface pattern design
French Riviera SS17 'Sunset Palm' surface pattern design

Most of the designs are simple grid repeat vector patterns, but the 'Graph Prawn' is a single 'placement' design. He's cheeky isn't he?

Which one is your favourite? I'd love to know.

***Update, Update 15.08.16***

So excited to find out that I WON one of the '20 ways to draw...' books for sharing my pattern-progress on Instagram. Taking this as a sign to focus more on my patterns and design work!